I have known the Canadian cellist Julia MacLaine for many years in her role asAssistant Principal Cello of Canada’s National Arts Centre Orchestra, of which I am also a member. In this episode we’re highlighting her gorgeous album Preludes which pairs the Preludes of J.S. Bach for Cello solo and with newly commissioned works for solo cello by Canadian composers.  Julia and I talked about many things, including how best to address  the challenges of maintaining high levels of playing and inspiration, studying the craft of songwriting with the legendary Ian Tamblyn , the intricacies of putting together ambitious projects,  her childhood in Prince Edward Island,  and strategies to cope with performance anxiety. It was really inspiring to hear some of the wisdom Julia gained from her mentors including Timothy Eddy and the late Antonio Lysy. This episode features excerpts of music from Preludes including that of J.S. Bach, Airat Ichmouratov, Carmen Braden, Roy Johnstone and Nicole Lizée. 

 Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript here.

Hillary Simms is a virtuosic Canadian trombone player with the esteemed American Brass Quintet, and is on faculty at the Julliard School. She performed as a soloist a couple of times with my orchestra, Canada’s National Arts Centre Orchestra, and you’ll hear us talk about the arc of her career so far as a chamber musician, soloist, educator and busy freelancer.

We decided to delay the release of this episode slightly in order to include a wonderful recent recording of the Amercian Brass Quintet, a movement from David Biedenbender’s wonderful work Sacred Geometry. This is the first recording of the group with Hillary performing, and you’ll find more information and links in the show notes of this podcast.

Hillary’s warmth and love of music comes through in this candid interview, from her childhood in Newfoundland to playing on the world’s biggest stages, and also the unusual situation she found herself in when her engagement to her husband became a viral sensation in China.

As the first woman to join the Amercian Brass Quintet since 1960, Hillary spoke to me about gender disparity in the brass world and some of her strong female role models.

Hillary shares wonderful insights for all of us, whether you pursue music as a career or follow a different path, of the need to have self-compassion and have an awareness of the big picture of your life.

2024 Interiew with the brilliant Cheng2 Duo with cellist Bryan Cheng and pianist Silvie Cheng. The podcast, video, and transcript are all linked here. They have performed to great acclaim worldwide and have released to date four fantastic albums, the most recent Portrait which was nominated for a JUNO award. Portrait features music by composers from diverse Asian heritages, and in this podcast, Bryan and Silvie reflect on some important personal experiences related to this. We are featuring some of the music from Portrait and some of their other projects in this episode, with their insights on championing living composers such as Paul Wiancko and Dinuk Wijeratne and reaching new audiences. I asked them about their Carnegie Hall debut when Bryan had just started high school, and some of their individual experiences with concert preparation, touring, and finding a life-balance. Some of what you’ll hear about are Bryan’s reflections on his memorable childhood lessons with Yuli Turovsky, the incredible opportunity he’s had to play the Bonjour Strad, and his experiences with international competitions. Silvie shared her reflections on her mentors and her life as a performer and educator in New York.

Pierre Chrétien is a Canadian bandleader, multi-instrumentalist and composer who has had international success with his bands The Souljazz Orchestra, Atlantis Jazz Ensemble and his project Cinephonic, and in this episode you’ll learn about all of these and hear highlights from some of these albums on the Marlow Records label. Pierre shares how left his career as an Engineer to devote himself to a full-time career as a performer. He also demonstrates some rare vintage instruments at the beginning of this episode, which he’s also an expert at repairing.

In this episode, we talk about Chuck’s excellent album Oshki Manitou, which expands his work as a trumpet player, arranger, and composer. He’s woven together ceremonial sweat-lodge melodies with jazz, funk, dance and electronica and this episode features tracks from that album. He’s such a powerfully lyrical trumpet player, and you’ll be deeply touched to hear his inspiring story of moving through trauma and addiction to helping others through counseling and music.

Guy Donis grew up in Belgium, where he had fallen in love with the banjo and proceeded to dedicate his life to it. In this episode, he describes how he taught himself 5 string banjo, learned about Bluegrass, and expanded his musical horizons by collaborating with jazz and classical musicians. He immigrated to Canada many years ago, and is well-known in the Montreal music scene. He has toured Canada extensively with Notre Dame de Grass and other bands, and in this episode he talks about his newest project, the Montreal Bluegrass League, and a track from their latest album is included in this podcast. Some tracks from his two trio albums are also included earlier in this episode, in which you can hear Guy’s progressive jazz-influenced original music. Like all my episodes, this is available as a podcast, video, and transcript, all linked here.

The innovative sitarist and composer Mohamed Assani is featured in this episode, linked here is the podcast, video and transcript. Mohamed demonstrates on both sitar and tabla, speaks to me both about his own journey as a musician and about the history of the sitar and South Asian music. In this conversation a couple of compositions from his album Wayfinder are featured. Wayfinder inco rporates a range of stylistic influences, including South Asian Classical, Middle Eastern, jazz, funk, Western Classical, ambient & electronic music. Mohamed shares his perspectives as an educator and creator: “So sitar to me will always be a challenge, right? Music is bigger than us, I believe. So if I can do something like that, what do I learn from it? It just gives me a lot of things to reflect about me as a person. So you start having these kinds of conversation with yourself, and once you accept that whoever you are is going to show on the stage, and that happens, right? So then maybe you start fine tuning some aspects of yourself.”

Jah’Mila: Rooted in Reggae and Connecting with New Audiences

Linked here are the podcast, video and transcript for this in-depth interview with the Reggae artist Jah’Mila which also features tracks from her album Roots Girl.

Rachel Mercer: “…I really want to have every possibility of expression available to me and that does not come from physically playing my instrument. That comes from my imagination and then I hear or feel a sound in my head.” In this conversation with the really inspiring cellist, Rachel Mercer, we discuss the arc of her career so far as a chamber musician, soloist, principal cellist, the late Yehonatan Berick, an amazing violinist and pedagogue, who was her life partner, "Our Strength, Our Song" with her sister, the wonderful violinist Akemi Mercer-Niewöhner and many other chamber music collaborations and unique projects, as well as her way of approaching music. Rachel very generously made a special recording of the Prelude from JS Bach's fifth solo suite in C minor BWV 1011, and her heartfelt introduction to the power of this music is right after our conversation, so please keep listening till the end! There's also a timestamp for the Bach and in the podcast version, the Bach with her introduction is also a separate bonus episode.

Josh “Socalled” Dolgin is an amazing force and I was thrilled to get this opportunity to ask him about some of his creative output, collaborations and perspectives. Josh: “When I started off in the music thing, I played piano and sure I was in some musicals a bit in Ottawa growing up as a teenager, and I guess I have a good ear and I don't know how I learned to sing, but when I started to hear those old records of Yiddish songs, for some reason that's what made me want to sing. I wanted to sing those songs. And at first I was sampling these old records, using it to make hip hop and make new, funky, crazy Jewish music. Okay, that's cool.

But then now here I am just singing songs with a string quartet. So I never saw that one coming. That's so amazing about life sometimes is that you don't really know why or what you're doing, or you think you're on a track for some reason, but then things dribble into the track and then they take you on another track and then that can become your most favorite project.”

We start with his remix of Moe Koffman’s Curried Soul for CBC radio's daily show As It Happens, and circle around to topics including: sampling, Yiddish culture, changes in the industry from when he got his start selling CDs mail-order to touring internationally and collaborating with many musicians, including the funk legend Fred Wesley, David Krakauer, Kiran Ahulwalia, Itzhak Perlman, Theodore Bikel, writing musical theatre, puppets, art...here's a chance for all of us to get to know the creative force known as Josh "Socalled" Dolgin

I really enjoyed my conversation with the inspiring multi-style violinist Gina Burgess. During the episode she plays a couple of her original tunes, and at the end we did an improv back-and-forth across our Zoom call. It was really inspiring hearing about her journey through a severe overuse injury as a Classical violinist through to re-learning the violin in different styles, learning to improvise and compose, and also how she teaches improvisation to children.

Gina is a founding member of the Iqaluit-based Arctic rock band The Jerry Cans, is a four-time ECMA award winner with the band Gypsophilia, she fronts her own klezmer band Der Heisser, and is a regular collaborator in flamenco and Arabic music ensembles. Gina has toured Europe twice over with Tim Crabtree’s atmospheric ensemble; Paper Beat Scissors, and with folk-pop artist Gabrielle Papillon. Along with The Jerry Cans, Gina has performed and conducted youth workshops in Canada, Australia, Greenland, New Zealand, and Europe. https://www.ginaburgessmusic.com/ Instagram @ginaburgess.violin Facebook Gina Burgess Music

Subhadra loves to teach people about the Indianisation of the violin, and in this conversation we get to hear her beautiful playing quite a bit, as she plays and demonstrates some of the guiding principles of the Carnatic style. She teaches both online and in her studio in Mississauga (in the Greater Toronto Area) Canada.

To study or perform with Subhadra, and for more information about her:

https://www.rcmusic.com/bios/subhadra-vijaykumar

Radha Academy of Carnatic Violin | Facebook

Aaron Schwebel currently holds the positions of Concertmaster with the National Ballet of Canada Orchestra and Associate Concertmaster with the Canadian Opera Company. Schwebel is a member of the LARK ensemble and Rosebud String Quartet, and is founder/artistic director of Echo Chamber Toronto, a series that merges chamber music and contemporary dance. We talk about his many and varied experiences, in terms of his development and his career. In separate bonus episodes you can hear him play some solo Bach, and we also do a little improv back and forth.