Anthony Brandt is an acclaimed composer who is also a multi-disciplinary researcher. Dr. Brandt is  a Professor at Rice University and co-founder and Artistic Director of Musiqa. Like many people worldwide, I had first learned of his work as co-author with neuroscientist David Eagleman,  of the amazing book “The Runaway Species: How Human Creativity Remakes the World”. We started this episode with an overview of that book, and Tony’s passion for the importance of encouraging creativity at all stages of life comes through in our discussion of his research, compositions, teaching and mentoring. You’ll hear about how he and other researchers are using mobile brain body imaging, and how research into the arts are so important to the development of neuroscience. You’ll learn about his unique childhood, his mentors and approach to composing and teaching composition, his valuable insights on presenting new music and how integrating art forms can help to connect with audiences. We’re also shining a light on his recent album of string quartet music Meeting of Minds and LiveWire, which are both collaborations with the NobleMotion Dance Company and the University of Houston Brain Center.  Central to this episode is the importance of creativity, and different ways to investigate and explore that.  

Samantha Ege is both a leading scholar and interpreter of Florence Price. In this interview, she talks about her recent book “South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene”. I was fascinated to learn about this compelling history of Chicago’s Black Renaissance with women such as Nora Holt,  Margaret Bonds, and Katherine Dunham.  Dr. Ege shared how the scholarship side of her work informs both her identity as a pianist and also how this research and storytelling cause her to reflect on some of her own challenges. We also talked about some of her other recent recording projects, including the upcoming Avril Coleridge-Taylor piano concerto and chamber music with Castle of our Skins, and she reflected candidly on her personal creative life as a writer, performer and composer. 

Katherine Needleman is a wonderful oboe player,  who has been the principal oboist of the Baltimore Symphony  since 2003. She’s also active as a solist and chamber musician, and is on faculty at the Curtis Institute of Music.  She is a champion of music of our time and you’ll find her recordings and many projects on her website. To many listeners in the Classical Music world, she’s probably better known for her Substack articles and posts on social media that address misogyny, sexual misconduct and assault, and the lack of diversity and equity in the Classical music world. In this conversation you’ll hear about some of her activism and advocacy work , and different aspects of Katherine’s life as a musician, including her work as a composer and educator, and mentors including Jennifer Higdon. Please note the timestamps to navigate the episode.  I regret that I didn’t get into improvisation with her, because she’s also an excellent improvisor and has put out an album of improvised chamber music “The Marmalade Balloon”. Perhaps we can get into this next time she comes on the podcast! Linked here: podcast, video and transcript.