Gilad Weiss takes us on a visit to his music studio and improvises on several of his instruments, including the fretless guitar, and some of the instruements from Turkey and Central Asia, such as the kopuz, the baglama and the Turkmenistani dutar. He also spoke to me about his duo project with the Anatolian kamanche player Melisa Yildirim and we’re including a track from their beautiful album, which is linked in the show notes for this episode along with Gilad’s album Improvisations on Fretless Guitar Volume 1, and the ways to connect with Gilad. He shared his valuable insights about teaching music, and teaching the guitar, improvisation and interesting details about the modes and tuning systems for the various instruments he demonstrates. This episode has a lot of improvised music; Gilad spent much of the interview with an instrument in his hand; please use the detailed timestamps to navigate the episode, which like all my episodes you can either watch on my YouTube or listen to on all the podcast platforms. 

I was honoured to have this opportunity to record this conversation with the phenomenal violinist Sara Caswell, who is a GRAMMY Nominee for the Best Improvised Jazz Solo. We focused on the recent 9 Horses album, Strum with mandolinist and composer Joseph Brent, and she also spoke to me about some of her other collaborators including esperanza spalding, Chuck Owen, Nadje Noordhuis, and mentors including David Baker, Mimi Zweig and Josef Gingold. She shared how she started playing the 10 stringed Hardanger d’amore, her rich early musical life in Bloomington, and how she is grounded and inspired from her family and friends. 

Mark Deutsch is a brilliant and unique musician who has devoted the last 3 decades of his life to his instrument the Bazantar, which is unique to him. There is only one Bazantar, which is a double bass hybrid with elements of the sitar:  it has 6 main strings, 4 drone strings, and 29 sympathetic strings. Mark grew up as a multi-instrumentalist, but primarily a classical, jazz and rock bass player, and gave up a successful career as a performer to devote himself to the Bazantar. While studying sitar with Ustad Imrat Khan, Mark begin delving into the universal fundamentals of music and its underlying frequency structures. The nonlinear mathematical patterns that exist in sound are found universally in the natural world, includeng seashells, and Mark goes into some of the math of the overtone series in some detail, as well as fascinating specifics of how the Bazantar and his playing of it have evolved.  You’ll hear Mark talk about how he developed his patented engineering solution to construct a separate housing for the sympathetic strings. In this episode, Mark demonstrated live, and also is sharing not only excerpts from previously released recordings, but a preview from an upcoming album. 

Trumpeter, composer and conductor Stephen Burns is the Founder and Artistic Director of the Fulcrum Point New Music Project in Chicago. He has been acclaimed on four continents for his virtuosity and interpretative depth in recitals, orchestral appearances, chamber music, and multi-media performances. He has worked closely with many composers such as John Corigliano and  Gunther Schuller. In this interview you’ll hear him talk about some of his mentors including Arnold Jacobs, and Pierre Thibaud. Stephen Burns won several important competitions and awards which helped launch his solo career at a young age,  the Maurice André Concours International de Paris, but touring internationally brings challenges which he discussed candidly with me. Stephen has worked closely with Madeline Bruser and is a certified teacher in the Art of Practicing. 

We talked about mindfulness, the importance of a  student-centered approach to teaching, the deep connection to your audience,programming innovative programs, and specific advice for not only brass players and musicians, but for all of us. 

This episode is a special short Catch-Up episode with the Klezmer violinist and composer Alicia Svigals. I first spoke with her in 2021 in Season 1 of this podcast, and that wide-ranging in-depth conversation is linked in the show notes. Today we are focusing on Alicia’s new album Fidl Afire, with several excerpts from the album with her insights. 

Meg Okura is an award-winning Jazz composer and brilliant Grammy-nominated violinist, and the leader and founder of the  Pan Asian Chamber Jazz Ensemble. This episode features several excerpts from Meg’s wonderful recent duo album “Lingering” with the Grammy Award-winning jazz pianist and composer  Kevin Hays. This  was a wide-ranging conversation, including Meg’s musical tribute to Ryuichi Sakamoto, her experiences playing for Cirque du Soleil,  some of the challenges she’s faced, and about her search for a new spiritual community.  She shared with me her thoughts on mentorship and the power of music to create real understanding and connection. This 2024 interview is linked here to all the podcast platforms, YouTube, and the transcript.

Joe K. Walsh is an acclaimed master of bluegrass mandolin and a professor at Berklee College, and in this episode you’ll hear about many of his inspiring collaborations including with Darol Anger, Mike Block, Grant Gordy, Alex Hargreaves and Mike Marshall. We are also featuring some music from some of his albums inluding “If Not Now, Who?” We talked about Joe’s approach as an educator, the challenges and joys of the touring life, the importance of innovation and taking chances musically. Joe’s love of music and the mandolin shines brightly in this candid conversation. The podcast, video and transcript versions of this interview are all linked here.

This episode features Bad Snacks, a producer and multi-instrumentalist known for the use of violin, with lofi and dance influences. We talked about her experience when she went viral on Andrew Huang’s “4 Producers Flip the Same Sample” challenge with over 4.5M views, dealing with online boundaries, with sexism, finding inspiration, and  enjoying the learning process. Bad Snacks is also an educator; she coaches fellow producers privately, runs a successful YouTube channel where she posts content related to music technology and beat breakdowns. Due to her love for cutting-edge music tech, she has worked as a key demonstrator with several of the industry’s largest names like Ableton, Roland,  and Moog. She has also taught as an Assistant Professor at Berklee College of Music for Electronic Production & Design. We talked about her unique educational path and choices she’s made along the way to carve out a successful career, and in fact what success really means. She spoke thoughtfully about important topics such as music education, developing creativity, imposter syndrome and keeping a healthy perspective. 

Hillary Simms is a virtuosic Canadian trombone player with the esteemed American Brass Quintet, and is on faculty at the Julliard School. She performed as a soloist a couple of times with my orchestra, Canada’s National Arts Centre Orchestra, and you’ll hear us talk about the arc of her career so far as a chamber musician, soloist, educator and busy freelancer.

We decided to delay the release of this episode slightly in order to include a wonderful recent recording of the Amercian Brass Quintet, a movement from David Biedenbender’s wonderful work Sacred Geometry. This is the first recording of the group with Hillary performing, and you’ll find more information and links in the show notes of this podcast.

Hillary’s warmth and love of music comes through in this candid interview, from her childhood in Newfoundland to playing on the world’s biggest stages, and also the unusual situation she found herself in when her engagement to her husband became a viral sensation in China.

As the first woman to join the Amercian Brass Quintet since 1960, Hillary spoke to me about gender disparity in the brass world and some of her strong female role models.

Hillary shares wonderful insights for all of us, whether you pursue music as a career or follow a different path, of the need to have self-compassion and have an awareness of the big picture of your life.

Concert pianist Rebeca Omordia has just released her second African Pianism album, Volume 2, which was just named Editor’s Choice in the Gramophone Magazine, and is a fascinating and beautiful kaleidoscope of piano works from West Africa, North Africa, South Africa and East Africa. Rebeca spoke to me about her extensive research about these composers, varied styles, and the different traditional music traditions which are often at the heart of this music. We talked about her experiences growing up in Romania with a Romanian mother and a Nigerian father. Now based in London, Rebeca spoke to me about The African Concert Series at Wigmore Hall, and many of her collaborations, including with Errollyn Wallen whose Piano Concerto, written for Rebeca Omordia, is featured in this podcast along with excerpts from several of the works on the African Pianism album, volume 2. The podcast, video and transcript are all linked here.

Interview with Sarah Jeffery of Team Recorder: The podcast, video and transcript Sarah Jeffery is a wonderful and versatile recorder player based in the Netherlands, known worldwide for her outreach with her YouTube project Team Recorder, which at the time of this podcast release has well over 205, 000 very engaged followers. She is the Recorder Professor specializing in Contemporary music at the Royal College in London, and we talked about her work teaching recorder technique, improvisation in different styles, her varied career including experimental theatre and her synesthesia which directly informs her work as a musician. There’s lots more to this wide-ranging episode, which features some fantastic recorder performances as well.

Cliff Beach is an award-winning singer, songwriter, author of “Side Hustle and Flow”, podcast host, record label owner and also works fulltime as VP of digital and operations in the beauty industry. This episode focuses on his recent album and tribute to Ella Fitzgerald “You Showed Me the Way”, we also got into his funk hit “Confident” and the last part of the interview we talked about some of his valuable advice from his book. Most of the guests I speak with work in music full-time, but of course that always means having many skill sets, and a few musicians like Cliff have a day job and also work hard on their music which is central to their lives. Cliff didn’t write his book for musicians, but for anyone that wants inspiration and advice for making the best of their lives, and I found a lot of what he wrote about resonated with me.

Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript.

In this episode, we talk about Chuck’s excellent album Oshki Manitou, which expands his work as a trumpet player, arranger, and composer. He’s woven together ceremonial sweat-lodge melodies with jazz, funk, dance and electronica and this episode features tracks from that album. He’s such a powerfully lyrical trumpet player, and you’ll be deeply touched to hear his inspiring story of moving through trauma and addiction to helping others through counseling and music.

Guy Donis grew up in Belgium, where he had fallen in love with the banjo and proceeded to dedicate his life to it. In this episode, he describes how he taught himself 5 string banjo, learned about Bluegrass, and expanded his musical horizons by collaborating with jazz and classical musicians. He immigrated to Canada many years ago, and is well-known in the Montreal music scene. He has toured Canada extensively with Notre Dame de Grass and other bands, and in this episode he talks about his newest project, the Montreal Bluegrass League, and a track from their latest album is included in this podcast. Some tracks from his two trio albums are also included earlier in this episode, in which you can hear Guy’s progressive jazz-influenced original music. Like all my episodes, this is available as a podcast, video, and transcript, all linked here.

Jeeyoon Kim is a very special concert pianist who has opened meaningful connections to new audiences through her innovative concerts, albums, podcast, and now her book “Whenever You’re Ready”. You’ll learn how she sold out her Carnegie Hall debut recital without knowing one person in New York, without an agent or winning a competition. She’s generously shared 3 tracks from some of her albums that punctuate this episode, and please head over to her website which linked in the description. I was so honoured when Jeeyoon agreed to be part of this series, because I knew her wisdom, personal story and her music making would resonate strongly with you.

In-depth interview with accordion virtuoso Michael Bridge; the podcast and video versions feature a lot of great music and the transcript is linked here as well. In this wide-ranging conversation, Michael spoke to me about how best to engage with audiences, the subtleties intrinsic to programming digital accordion sounds, and how to forge lasting relationships. Michael was awarded his Doctorate of Musical Arts from University of Toronto, and is a prize-winning soloist and chamber musician who tours worldwide. This is also an episode which features many novel sounds you won’t have heard before from an accordion, and also music with the groups Bridge and Wolak and the Ladom Ensemble.

In this episode, you get to hear the brilliant and engaging keyboard player and composer Kait Dunton in both conversation and a mini theory workshop on her hit tune This One’s For You! In this wide-ranging conversation, we talked about her early days with Snarky Puppy, recording the soundtrack to A Beautiful Day in the Neighbourhood, her love of vintage keyboards and the challenges they present, and her unique approach to teaching which has been influenced by her mentor John D’earth. Kait has gained a huge following on social media like Instagram and TikTok, so I was curious to get her perspectives on connecting with her fans, and dealing with necessary boundaries. Kait’s new album Keyboards features the sounds of the 1970s and we got into some of her influences and her personal journey to becoming a full-time performer.

The Canadian performer and composer Jack Hui Litster has developed a satisfying creative career after some interesting twists and turns. In this episode, you’ll learn about his experiences as a jazz drummer, his pivot into international development, and his path back to composing, producing and recording music in different styles. There is a lot of music featured in the episode as well; the podcast, video and transcript are all linked here.

Jah’Mila: Rooted in Reggae and Connecting with New Audiences

Linked here are the podcast, video and transcript for this in-depth interview with the Reggae artist Jah’Mila which also features tracks from her album Roots Girl.

Kara Talve and Anže Rozman are composers with Bleeding Fingers Music and together wrote with Hans Zimmer the acclaimed score to the incredible tv series Prehistoric Planet. I was so impressed by this series, and the first part of this episode digs into the unique instruments that were created for this powerful score, and the other part of this episode is a personal and in-depth conversation with Kara and Anže about their lives. They shared their individual stories about challenges, mentors, and have great advice for younger composers. You can listen to the podcast, watch the video, read the transcript and check out the bonus tracks, all linked here.