Gilad Weiss takes us on a visit to his music studio and improvises on several of his instruments, including the fretless guitar, and some of the instruements from Turkey and Central Asia, such as the kopuz, the baglama and the Turkmenistani dutar. He also spoke to me about his duo project with the Anatolian kamanche player Melisa Yildirim and we’re including a track from their beautiful album, which is linked in the show notes for this episode along with Gilad’s album Improvisations on Fretless Guitar Volume 1, and the ways to connect with Gilad. He shared his valuable insights about teaching music, and teaching the guitar, improvisation and interesting details about the modes and tuning systems for the various instruments he demonstrates. This episode has a lot of improvised music; Gilad spent much of the interview with an instrument in his hand; please use the detailed timestamps to navigate the episode, which like all my episodes you can either watch on my YouTube or listen to on all the podcast platforms. 

Thomas Cabaniss is a wonderful American composer of works for opera, theater, dance, film and the concert stage, and also a visionary Teaching Artist. He’s been a member of the faculty of the Julliard School since 1998, and leads the Lullaby Project at Carnegie Hall, serving young parents in shelters, hospitals and prisons with collaboratively created songs for their children. We talk about all this and much more, inluding his work creating Carnegie Hall’s Link Up. I was curious about these many facets to Thomas’ life as both a composer and educator, and you’ll find this episode has gorgeous, inspiring music , as well as great stories from his diverse career as a Teaching Artist, working with music educators, students of all ages, and meaningful outreach in the community. You’ll hear performances from pianists Michael Shinn and Jessica Chow Shinn, singer Joyce DiDonato, and towards the beginning of the episode you’ll hear some of Thomas’ great music for string quartet, performed by the Charleston Symphony String Quartet.

I spoke to the renowned bassoon player Christopher Millard about many topics, including many fascinating insights into the orchestra profession, the physics of sound production on both the bassoon and violin, great advice on how best to practice music, the legendary flutist Marcel Moyse and much more. Podcast Video

I was honoured to speak with Kellylee Evans, who is an amazing award-winning singer, songwriter and motivational speaker. Kellylee Evans: “And then I was interested at that time in minority rights and representation and in legal philosophy. And so I was doing my masters of arts in law. My parents, their hope I think would've been just like most immigrant parents a lawyer, doctor, engineer. And I tried to... I wasn't trying that hard though to really be a lawyer. I really was hiding in school. My goal was to just keep my head down and stay here as long as possible. Because school is awesome, and if you figured out the path, if you know what to do, you attend, you finish the assignments, you hand them in. You do the reading, you get a mark, everybody's happy. That's something that's very doable, I think if you can just follow the script. But real life outside of school is scary. And the music industry, what's the path?”

Towards the end of the conversation, she gives us the gift of an incredible a capella performance of one of the most-requested songs in her repertoire, "Feelin’ Good" by Anthony Newley and Leslie Bricusse. We speak about the many challenges she's faced, including two near-death experiences. To learn more about Kellylee Evans, her recordings and current performances: http://www.kellyleeevans.com/

Sophie Lukacs

In my interview with the kora player, singer, and songwriter Sophie Lukacs we hear her very unique and personal story and also learn about this beautiful instrument. She plays a traditional tune for us and also a couple of her original songs from her new album.

Interview with Lynn Kuo, Violinist and Educator: @violynnkuo In E2 S2 with violinist Lynn Kuo, we delved into many topics, including shifting the classical music paradigm and she gave lots of great advice for other musicians. Lynn:"So, I think it is absolutely possible for every musician to do a little bit of self awareness exercise and discover where exactly do my strengths lie? Where am I unique?"

Interview with the wonderful Swiss-French Jazz violinist, singer, and pedagogue Eva Slongo. She kindly shared some of her playing with us during the Zoom call. During the conversation we talk about her background as a classical violinist, her journey into jazz and we touch on many topics including playing injuries, her studies at Le Centre des Musique Didier Lockwood, and some of the challenges faced by women in jazz

I speak with Arna Einarsdóttir who was at the time the Managing Director of the National Arts Centre Orchestra Canada. Previously she was the Managing Director of the Iceland Symphony Orchestra. Earlier in her career she worked as a flutist, playing with the Iceland Symphony Orchestra from 2000-2004. In this wide-ranging conversation, Arna's warmth and engagement really come through. It is really interesting to hear her perspectives due to her involvement with the orchestral world in very different roles.

In Episode 19 Season 1 of my interview series, I was delighted to welcome the inspiring musician Hooshyar Khayam to my home, to improvise and speak about his perspectives on improvisation, the music of Central Asia, the Middle East and Western Classical music. We speak about some of his beautiful recordings in his large discography, and his creative process. He also speaks about his role as founder and producer of Tehran Records. In a separate bonus episode you can hear an improvisation we played together. http://hooshyar-khayam.com/site/

In my very first interview, E1 S1 Kirsty Money introduces us to the nyckelharpa and we learn how she started playing this beautiful and unique instrument. The full transcript is published here, and there are links to both video and podcast, along with bonus episodes. Kirsty performs solo Bach, a traditional Swedish tune and one of her original tunes The Grind Polska during our conversation.