Martin Hayes
Martin Hayes is an internationally renowned Irish fiddler beloved for his expressive playing and his collaborations with many great musicians in different genres. Martin speaks eloquently about life, culture, friendship, identity, and staying true to what you value, and I hope this episode will thrill lovers of Irish music and bring new listeners to many of Martin’s projects including The Common Ground Ensemble, The Gloaming, and many more. We talked about the loss and legacy of Dennis Cahill, how he met Thomas Bartlett, the rich depths of traditional music that Martin learned from the older generation, and the rhythm of life growing up on the farm in County Clare. Like all my episodes, this is available as both a video and a podcast on your favourite podcast platform, and the transcript is also linked here as well.
E5 S2: Christopher Millard
I spoke to the renowned bassoon player Christopher Millard about many topics, including many fascinating insights into the orchestra profession, the physics of sound production on both the bassoon and violin, great advice on how best to practice music, the legendary flutist Marcel Moyse and much more. Podcast Video
E1 S2 Eva Slongo
Interview with the wonderful Swiss-French Jazz violinist, singer, and pedagogue Eva Slongo. She kindly shared some of her playing with us during the Zoom call. During the conversation we talk about her background as a classical violinist, her journey into jazz and we touch on many topics including playing injuries, her studies at Le Centre des Musique Didier Lockwood, and some of the challenges faced by women in jazz
Arna Einarsdóttir
I speak with Arna Einarsdóttir who was at the time the Managing Director of the National Arts Centre Orchestra Canada. Previously she was the Managing Director of the Iceland Symphony Orchestra. Earlier in her career she worked as a flutist, playing with the Iceland Symphony Orchestra from 2000-2004. In this wide-ranging conversation, Arna's warmth and engagement really come through. It is really interesting to hear her perspectives due to her involvement with the orchestral world in very different roles.