This is the transcript for this episode; the podcast and video with show-notes are linked here. This special episode celebrates Volume 1 with my improvising ensemble Collected Strands. The other musicians in the group have all been featured previously on this series, and you’ll find the links to those episodes in the show notes with cellist Raphael Weinroth-Browne, pianist James McGowan and drummer Mike Essoudry. I’m also delighted that you will get to know the inspiring Australian artist, educator and author Maryanne Moodie who’s woven art graces the cover of this album. You’ll find the links to her work in the show notes as well. I am also releasing the interview with Maryanne as a separate stand-alone bonus episode connected to this episode. I feel that all my listeners who love music and creativity will find that Maryanne’s personal journey and perspectives will resonate strongly with them, and I hope some listeners in the weaving and art world will also be inspired by the musicians!

We are including excerpts from the album during this episode, and you’ll find all the links to buy and stream this music

The transcript of my interview with the trombonist Hillary Simms. The podcast, video and show notes are linked here as well.

Hillary Simms is a virtuosic Canadian trombone player with the esteemed American Brass Quintet and is on faculty at the Julliard School.

Hillary’s warmth and love of music comes through in this candid interview, from her childhood in Newfoundland to playing on the world’s biggest stages, and also the unusual situation she found herself in when  her engagement to her husband became a viral sensation in China. 

As the first woman to join the Amercian Brass Quintet since 1960,  Hillary spoke to me about gender disparity in the brass world and some of her strong female role models.  

 Hillary shares wonderful insights for all of us, whether you pursue music as a career or follow a different path,  of the need to have self-compassion and have an awareness of the big picture of your life. 

Hillary has performed as a soloist a couple of times with my orchestra, Canada’s National Arts Centre Orchestra, and you’ll hear us talk about the arc of her career so far as a chamber musician, soloist, educator and busy freelancer. We decided to delay the release of this episode slightly in order to include a wonderful recent recording of the Amercian Brass Quintet, a movement from David Biedenbender’s wonderful work Sacred Geometry. This is the first recording of the group with Hillary performing,  and you’ll find more information and links

Interview with pianist Rebeca Omordia focusing on her African Pianism album volume 2, which was just named Editor’s Choice in the Gramophone Magazine, and is a fascinating and beautiful kaleidoscope of piano works from West Africa, North Africa, South Africa and East Africa. Rebeca spoke to me about her extensive research about these composers, varied styles, and the different traditional music traditions which are often at the heart of this music. We talked about her experiences growing up in Romania with a Romanian mother and a Nigerian father. Now based in London, Rebeca spoke to me about The African Concert Series at Wigmore Hall, and many of her collaborations, including Errollyn Wallen whose Piano Concerto, written for Rebeca Omordia is featured in this podcast along with excerpts from several of the works on the African Pianism album, volume 2. This is the complete transcript.

Interview with Sarah Jeffery of Team Recorder. The podcast and video are linked here with this transcript.

Interview of my in-depth interview with Lisa Pegher, percussion pioneer. The link for the podcast, video and show notes is here as well. Lisa Pegher is a brilliant American percussion soloist and drummer who is also a composer, improvisor and software engineer. She is known for pioneering percussion as a solo instrument within the orchestral realm and beyond, making it her life’s work to present percussion to larger audiences by commissioning, collaborating, and creating new works and performances that bring percussion to the front of the stage.cently, she premiered a We talked about her new concerto/show, "Circuits and Skins," written for her by Paul Dooley, which explores ways to meld orchestra with Electronic Dance Music, and also her project A.I.RE (ARtificial Iintelligence Rhythm Evolution. You’ll hear about her perspectives on self-care, social media, the value of mentors, and a fascinating variety of her performances during this episode.

Interview with the award-winning songwriter, singer, author, and entrepreneur Cliff Beach. The podcast and video versions of this interview are linked here with the show notes and links.

Interview with the acclaimed orchestra conductor Jessica Cottis. The podcast and video formats are linked here with the show notes.

In this wide-ranging interview you’ll gain insights into the special world of orchestral conductors and also some of Jessica’s interests in the natural world and the arts. She spoke to me about her musical path, from how she made her first trumpet, to life on a sheep farm, to her transition from a career as a concert organist, to lessons learned from conducting mentors including Colin Davis and Colin Metters. Jessica is such an articulate champion of the value of music and the arts, and I’ve also been privileged to have worked with her in my role as a violinist in Canada’s National Arts Centre Orchestra. I have a special interest in synesthesia, so I was interested in hearing her experience of sound through colour, and if you look at the description of this episode, you’ll find detailed timestamps for the many topics covered, inluding some beautiful music from Julie Cooper’s new album Oculus with Jessica Cottis conducting. Jessica also shared her difficult recovery from a concussion and how her senses were further mixed for a period of time.

Vahn Black Interview: Celebrating Gladys Bentley. The podcast and video versions of this interview are linked here along with the show notes.

The transcript of my interview with Martha Mooke. The podcast and video format are linked here with the show notes. Martha Mooke is a pioneer in the field of the electric five string viola and transcends boundaries as a performer and composer. This episode features insights, stories and music, including from the beautiful album by Carla Patullo So She Howls which just won the GRAMMY® Award for “Best New Age, Ambient, or Chant Album.” as well as from several of Martha’s solo and collaborative albums. You’ll hear about the unique multi-style string program she’s helped launch at New Jersey City University, and about many of her mentors and collaborators from David Bowie to Tenzin Choegyal to Laurie Anderson to Jean-Luc Ponty. Martha is passionate about the breadth and diversity needed in music education for the 21st century, and it was a joy and an inspiration for me to be able to hear about the arc of her multi-faceted career so far.

This is the transcript of my interview with James McGowan, a solo and collaborative pianist at home in jazz, classical and improvised musics. The podcast and video versions of this episode are linked here along with the show notes. The 14-member James McGowan Ensemble has just released its jazz-classical fusion album Reaching Out, the companion to the previous album Reaching In, and this episode features some of the music from this beautiful project as well as from his jazz-fusion group Modasaurus. Besides James’ work as a composer and pianist, he’s also a Theory Professor, and choral direcctor, and has served as Carleton University Chair in Teaching Innovation in developing experiences in the arts on campus and in the community. James is so passionate about sharing his love of music and I trust you’ll find this an uplifting conversation.

The transcript to my 2024 interview with Bryan and Silvie Cheng, the Cheng² Duo. The podcast, video and show notes are linked here as well.

The transcript to my interview with the wonderful harmonica player and composer Ariel Bart. The podcast, video, and shownotes are linked here as well. I first started listening to her music with her debut album, “In Between” in which she presents a unique approach to the harmonica and all her albums feature her original music which is inspired by the European jazz tradition and the Middle-Eastern world. Ariel began playing the chromatic harmonica at the age of 7 and since then it’s been her primary instrument. We’re including music from several of her albums. You’ll hear about some of her inspiring mentors and collaborators and her positive experience at the New School University for Jazz and Contemporary Music in New York City, including working with Reggie Workman, Shai Maestro, and Jane Ira Bloom. We also talked about the music business, and her delight in using storytelling and film with her music.

The transcript to my interview with the GRAMMY-nominated concert organist Gail Archer. The podcast and video are linked here along with the shownotes and link to Gail Archer’s website.

The transcript to my interview with pianist and composer Gerry Bryant. The podcast, video, and show notes are linked here. Gerry Bryant is a brilliant classically-trained pianist, composer, and arranger. He came from a poor inner-city Cleveland neighbourhood, and was givin an opportunity to attend the prestigious Phillips Academy, then Harvard university. He went on to get an MBA and a law degree, all the while continuing the expansion of his knowledge of different styles of music, and forming his jazz group Pocketwatch. This episode partly focuses on his Composers album, with music of Florence Price and Thomas Wiggins who was known as Blind Tom to his slave masters. Gerry reflects on how access to a musical education changed his life, and how wonderful it has been to discover and champion Black composers. One of the musicians that Gerry has collaborated with many times is the wonderful and versatile violinist Mark Cargill, whose playing is also featured in this episode.

The transcript of my 2024 interview with Pat Irwin. The podcast, video, show notes, and gallery of images are linked here, along with his website and my previous conversation with the renowned film and televison composer and multi-instrumentalist Pat Irwin, and we are featuring lots of Pat’s music for you today in different styles from many of his projects.

In my previous episode with him from 2023, Season 3 of this podcast, we talked about his days with the B52s and composing the score for Dexter: New Blood, and we also talked about his band SUSS and his work mentoring graduate students, and so much more and I encourage you to click on the link to that earlier episode if you missed it.

This interview jumps around Pat’s varied and fascinating creative life. You’ll hear more stories and music from some of his acclaimed cartoon music from Rocko’s Modern Life and songs from Pepper Ann. We talk about, and you’ll hear music from some of his projects, including rocking out with the PI Power Trio with Sasha Dobson and Daria Grace, and new albums coming out with Cynthia Sley, with SUSS and with Julia Heyward. I’m blown away by Pat’s detailed memory and this episode is rich with interesting stories, and also his down-to-earth advice.

The transcript to my interview with Thomas Cabaniss. The Podcast and Video versions as well as show notes are linked here as well. Thomas Cabaniss is a wonderful American composer of works for opera, theater, dance, film and the concert stage, and also a visionary Teaching Artist. He’s been a member of the faculty of the Julliard School since 1998, and leads the Lullaby Project at Carnegie Hall, serving young parents in shelters, hospitals and prisons with collaboratively created songs for their children. We talk about all this and much more, inluding his work creating Carnegie Hall’s Link Up. I was curious about these many facets to Thomas’ life as both a composer and educator, and you’ll find this episode has gorgeous, inspiring music , as well as great stories from his diverse career as a Teaching Artist, working with music educators, students of all ages, and meaningful outreach in the community.

Transcript of my nterview with the Dutch Indo-Surinamese sarod player Avi Kishna. The podcast, video and show notes are linked here as well.

The transcript of my interview with Pierre Chrétien, who is a Canadian bandleader, multi-instrumentalist and composer who has had international success with his bands The Souljazz Orchestra, Atlantis Jazz Ensemble and his project Cinephonic, and in this episode you’ll learn about all of these and hear highlights from some of these albums on the Marlow Records label. Pierre shares how left his career as an Engineer to devote himself to a full-time career as a performer. The podcast, video and shownotes are all linked here.

Linsey Pollak is an Australian musician who is known worldwide as a passionate and creative advocate for community music. His life has been full of unusual opportunities to explore different styles of music, and his inventiveness has spurred him to create countless instruments from found objects. This is the transcript of my interview with him, and the podcast and video version are linked here. rIn this episode you’ll get to hear him play 4 different instruments in different improvisatory styles, and I’m sure that everyone will be inspired by stories from his life, describing some of his incredibly unusual, fun and beautiful collaborations and creations.

The transcript to my interview with British guitarist Edison Herbert. The podcast, video and show notes are linked here as well. We are featuring his compositions from a couple of his albums and you’ll learn about his personal journey in music that has led to his career as a full-time performer. He talked to me about some of his mentors and influences including George Benson, and his perspectives as a Black artist navigating the music scene in the UK. I found him to be warmly engaging and candid and we circled around to topics that impact all of us, such as dealing with self-knowledge, creativity, and the need to be persistent and keep true to what’s important to us .